Asha Jaoar Majhe (Labour of Love)
Aditya Vikram Sengupta
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Aditya Vikram Sengupta was born in 1983 in Calcutta, India. At a very young age his interests meandered towards performing arts. He started training in western classical music and was an active dramatist throughout his childhood.
He studied literature at Calcutta University before pursuing design studies at the National Institute of Design. After specialising in Graphic Design, he trained himself in animation and film. His student shorts have screened at various international festivals including Clermont Ferrand, Animafest Zagreb and Sao Paulo IFF. His paintings have been showcased in galleries across India and one of his posters is exhibited at the Religious Art Museum, Tehran.
Aditya Vikram was working with a leading TV station as a promo director for three years before he decided to pursue filmmaking full time. He realised that filmmaking encompasses all his interests, allowing him to express himself in a wholesome manner.
His debut film Labour of Love premiered at the Venice Film Festival 2014 where it won the FEDEORA award for Best Debut Film. The film has since featured at several festivals including Rotterdam, London, Busan, Munich, Marrakech & Tallinn amongst others and has won 12 awards internationally. The film also received 2 National Film Awards in 2015 including the prestigious golden lotus for the Best Debut Film.
He has just completed production on his next feature Jonaki and is also developing another feature film Memories and My Mother
India’s gig workforce comprises over 15million employed across industries such as software, shared services and professional services.
Fritz Lang directed ‘Metropolis’ in 1927. It was meant to be a futuristic urban dystopia, where the poor live underground and work for their masters who live in huge buildings. This film has become the reality of how most of our cities are being designed and how the people who actually built the cities live.
They’re called streeties, indies, native dogs, and other terms in several Indian languages. Over the last decade, they have received more attention than ever before. More rescue groups and more adoptions, but still a limited understanding about their behaviour, and how our rapidly urbanising cities are impacting them. This closing session at City Scripts featuring a researcher who studies streeties, founder of a rescue group, and an editor of a book of essays which contributes to doggy welfare groups, will discuss all of these, as well as reviving a sense of community ownership and the role of the average citizen.
City streets and playgrounds have long been spaces of play, neighbourhood culture and friendships. How can public spaces be better used to facilitate sports and shared physical activities for city dwellers of all ages? How have people’s approach to sports changed over time—from being formal spaces of performance to ones with more fluidity, play and equality? How is gender negotiated in these new spaces? What is the importance of physical activity post Covid in cityscapes that can feel restrictive? How have sports, new and old, shaped city cultures?
Beginning in 1670, Bombay Imagined: An Illustrated History of the Unbuilt City tells the story of 200 unrealised urban visions — aspirations of an evolved metropolis boasting everything from humane housing and expanded parks to sanitation systems and more. Ideas that never saw the light of the day are richly illustrated with archival drawings, contemporary speculations and artistic overlays, illuminating long-lost futures from the city’s never-before-seen past. Bombay Imagined is a testimony to the audacious dreams of city-lovers, a chronicle of untold narratives across centuries and an insight into the tides that have shaped present-day Mumbai.
In her path breaking work, Shrayana Bhattacharya maps the economic and personal trajectories—the jobs, desires, prayers, love affairs and rivalries—of a diverse group of women. Embracing Hindi film idol Shah Rukh Khan allows them a small respite from an oppressive culture, a fillip to their fantasies of a friendlier masculinity in Indian men. A most unusual and compelling book on the female gaze, this is the story of how women have experienced post-liberalization India.
Experience beautiful Malleswaram on a pleasant walk through its historic alleyways. You’ll see how it all began, encounter ingenious architectural marvels, experience town planning the way it was envisaged over 130 year ago, and visit some of the iconic institutions, temples, bazaars and eateries that this beautiful old neighbourhood is so famous for.
Solving a crime scene with Naturalist Ruddy: A short introduction to the book, followed by an interactive activity in which the audience will participate in solving a crime scene in nature with the protagonist Naturalist Ruddy. Based on visual clues and natural history, the audience and Ruddy will identify the killer.
A panel of editors from publications focussed on cities. They will discuss role of mass media on urban development and how journalism contributes to conversations on cities and governance.
A conversation with journalists and editors on how reportage is converted into books. Over the last few years there has been a growing trend of journalists converting years of research and fieldwork into full length books. The panel will explore why it is important to bring otherwise hard to access information and stories to the public in an accessible way.
How can cli-fi start conversations around climate change and what have been the contributions from India to the cli-fi genre? A panel of climate fiction writers will discuss why they write about climate change, how effectively the sub-genre of dystopia represents climate change and possible urban futures, what Indian cli-fi writing does for the public conversation on climate change, and where they hope authors go next.
Parking has become an everyday urban experience, often dismissed in irritation or hurry. In this workshop you will learn about the Namma Parking magazine; a magazine dedicated to parking in the city of Bangalore, and the research that has gone into putting it together. Followed by an exercise in writing/drawing that will enable you to start thinking about the kinds of spaces parking lots are and what they have to offer to the people of the city as an experience in and of itself.
Participants will engage in a mushroom cultivation workshop centered around the basics of home cultivation. Understanding the lifecycle, steps and processes towards growing mushrooms at home using tips and tricks that make it easy and accessible! Each participant will be equipped with the knowledge on sustainable & zero-waste ways to cultivate mushrooms at home, which enable them to turn common household wastes, coffee grounds, mulch, leaf litter, and cardboard into healthy nutritious food. Being in urban environments, with no easy access to balconies or sunlight, the art of mushroom cultivation makes a journey that is accessible, energy efficient, carbon neutral and rich sources of protein.
The city—in its streets, sidewalks, trees and parks, tower blocks, plazas, squares, bedrooms, balconies and terraces—holds us and all our feelings. In this session, we meet with three creative arts, design, and mental health practitioners working in Bengaluru to learn about lived experiences of everyday citizens and how the city causes distress and offers respite at different moments. The discussion will ultimately explore how the design of the city—the public and private realms, shapes the mental health outcomes of citizens. This session is part of Mindscapes, an international cultural programme supported by the Wellcome Trust across Berlin, Tokyo, New York, and Bengaluru that aims to support a transformation in how we understand, address and talk about mental health.
A panel of Bahujan publishers talking about the importance of documenting Bahujan struggles, history and culture, movements and personalities.These publications tell the stories of the marginalised and the oppressed in Tamil, Hindi, Marathi, Punjabi and English and have carved out a space for themselves in the media and journalism industry.
Despite the rapid and sometimes permanent changes brought on by urbanisation to the natural environment, biodiversity has shown abilities to reclaim and adapt to the human-built environment. ‘Looking Closely’ is an exhibit of photographs made at the IIHS Kengeri campus over six months with the intention to observe how the local biodiversity is adapting to the rapid changes in infrastructure development on our upcoming campus spanning 50 acres. We hope to observe and document the changes in biodiversity and inter-species interaction in an ongoing project called the Long Term Urban Ecological Observatory (LTUEO) that was initiated by the School for Environment and Sustainability.
A library is never just one thing. It’s a place of possibilities. It’s often a space that transforms into what you need it to be: a classroom, a cyber café, a place to find answers, a quiet spot to be alone. It sits not just at the heart of a college or a university but also of communities and cities. Curated by the IIHS Library team, our latest exhibition brings together a variety of literature that looks at the many ways libraries enrich our lives – even in these digital times. The exhibition features fiction, non fiction and children’s literature as well as handbooks and guides on the ways that libraries serve the public and transform societies.
Ranjani Mazumdar is Professor of Cinema Studies at the School of Arts & Aesthetics, Jawaharlal Nehru University. Her publications focus on urban cultures, popular cinema, gender and the cinematic city. She is the author of Bombay Cinema: An Archive of the City (2007) and co-editor with Neepa Majumdar of the forthcoming Wiley Blackwell Companion to Indian Cinema. She has also worked as a documentary filmmaker and her productions include Delhi Diary 2001 and The Power of the Image (Co-Directed). Her current research focuses on globalisation and film culture, and the intersection of technology, travel, design and colour in 1960s Bombay Cinema.
Ritesh began his journey as a photographer watching his elder sister take photos of his family but sadly, he didn’t register it back then and began his journey as a professional in 2004 as an intern at the Indian Express. Inspired by the work of Reza Deghati, David Alan Harvey and of course, the usual suspects, Henri Cartier Bresson, Eugene Smith etc, he moved over to the Hindustan times and finally the OPEN Magazine where he worked for seven years before stepping into the fascinating and often scary world of freelance.
Ratheesh Radhakrishnan teaches at the Department of Humanities and Social Sciences, IIT Bombay, Mumbai. He completed his PhD from the Centre for the Study of Culture and Society (Bangalore), and was a Post-Doctoral Fellow with the Chao Centre for Asian Studies, Rice University (Houston, USA). While at Rice University, he founded and curated TITLES: A Festival of Experimental Films from India (2011- 2014). He is currently part of the India programming team of MAMI – Mumbai Film Festival. His research on Malayalam cinema has appeared in a variety of journals and other publications, both in English and in Malayalam.
Swati Dandekar is a film practitioner with a special interest in creating visual narratives of the living history around her; of people, places, ideas, traditions and practices. Her most recent work is “Neeli Raag”, a feature length documentary on the natural dye indigo, and the few remaining craftsmen who still work with it. 
Amit Mahanti is a filmmaker, cameraperson and editor, who has worked on films and video installations that explore questions of ecological transformation, culture and politics. His films include ML 05 B 6055 (2008), Malegaon Times (2012), Every Time You Tell A Story (2015) and Scratches on Stone (2017).
After a Post-graduate diploma in Social Communications Media from Sophia Polytechnic, Mumbai, Sushma joined the CIEDS Collective Here, she conceived and executed a film education programme for school children. Post this experience, she worked as Assistant Director and Scriptwriter with filmmaker M.S.Sathyu for 4 years. She began making documentaries in 1998.
Sabari Pandian works as an assistant director in documentary films. Some of the films that he has assisted on are ‘Nostalgia for the future’ and ‘Electric Shadows: Journeys In Image-making’. Based in Bombay he also loves to travel and take photographs. He is currently pursuing his Bachelor of Science in Information Technology from Mumbai University. An avid film buff, Sabari loves being part of film festivals and has provided technical support for film festivals such as Urban Lens Film Festival (2016) and the IAWRT Asian Women’s Film Festival (2017).
Kunal Deshpande is an alumnus of the Srishti School of Art Design and Technology, Bangalore. His diploma film, Daryache Raje (Kings of the Sea) was selected and screened at the 6th Kirloskar Vasundhara Environmental Film Festival.
TejInder, is an independent photographer and researcher. He is also senior urban fellow at Indian Institute for Human Settlements, Bangalore. He has had a range of work experiences from that of a trainee architect to managing electoral campaigns, participating in Model UN conferences, and documenting and archiving contemporary issues. He has photo documented Gaurav Gagoi’s campaign for Assam assembly elections, Occupy UGC movement, Swaraj Abhiyaan’s Jai Kisan Andolon, City Scripts – The IIHS Urban Writing Festival, 2017 IAWRT Asian Women’s Film Festival, Jio MAMI Mumbai Film Festival Word to Screen Bootcamp and many more conferences and events across India. His work on Ennore Creek Power Plant has been published by Scroll.in and Urbanisation – a SAGE journal.