70 y Pico
Mariano Corbacho
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Director’s Bio
Studied Documentary film realization at the Film Art Institution (IDAC) in Avellaneda, completing his studies in 2012 with the production of the essay short film “La Campana”. That same year was pre-selected on the 5th Federal contest of full length movies “Raymundo Gleyzer” from INCAA. He also studied Photography on the school “Master Quinquela” between 2012 and 2014 where he currently teaches. In 2014 he shot with Martín de Dios the movie “Las Libres, la historia después de…”. In 2015 he started his university studies at the National Arts University (UNA) on the audiovisual department. For four years of work with Martín de Dios and Juan Pablo Diaz they produced the full length movie “70 y Pico”, his debut feature.
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Ranjani Mazumdar is Professor of Cinema Studies at the School of Arts & Aesthetics, Jawaharlal Nehru University. Her publications focus on urban cultures, popular cinema, gender and the cinematic city. She is the author of Bombay Cinema: An Archive of the City (2007) and co-editor with Neepa Majumdar of the forthcoming Wiley Blackwell Companion to Indian Cinema. She has also worked as a documentary filmmaker and her productions include Delhi Diary 2001 and The Power of the Image (Co-Directed). Her current research focuses on globalisation and film culture, and the intersection of technology, travel, design and colour in 1960s Bombay Cinema.
Ritesh began his journey as a photographer watching his elder sister take photos of his family but sadly, he didn’t register it back then and began his journey as a professional in 2004 as an intern at the Indian Express. Inspired by the work of Reza Deghati, David Alan Harvey and of course, the usual suspects, Henri Cartier Bresson, Eugene Smith etc, he moved over to the Hindustan times and finally the OPEN Magazine where he worked for seven years before stepping into the fascinating and often scary world of freelance.
Ratheesh Radhakrishnan teaches at the Department of Humanities and Social Sciences, IIT Bombay, Mumbai. He completed his PhD from the Centre for the Study of Culture and Society (Bangalore), and was a Post-Doctoral Fellow with the Chao Centre for Asian Studies, Rice University (Houston, USA). While at Rice University, he founded and curated TITLES: A Festival of Experimental Films from India (2011- 2014). He is currently part of the India programming team of MAMI – Mumbai Film Festival. His research on Malayalam cinema has appeared in a variety of journals and other publications, both in English and in Malayalam.
Swati Dandekar is a film practitioner with a special interest in creating visual narratives of the living history around her; of people, places, ideas, traditions and practices. Her most recent work is “Neeli Raag”, a feature length documentary on the natural dye indigo, and the few remaining craftsmen who still work with it. 
Amit Mahanti is a filmmaker, cameraperson and editor, who has worked on films and video installations that explore questions of ecological transformation, culture and politics. His films include ML 05 B 6055 (2008), Malegaon Times (2012), Every Time You Tell A Story (2015) and Scratches on Stone (2017).
After a Post-graduate diploma in Social Communications Media from Sophia Polytechnic, Mumbai, Sushma joined the CIEDS Collective Here, she conceived and executed a film education programme for school children. Post this experience, she worked as Assistant Director and Scriptwriter with filmmaker M.S.Sathyu for 4 years. She began making documentaries in 1998.
Sabari Pandian works as an assistant director in documentary films. Some of the films that he has assisted on are ‘Nostalgia for the future’ and ‘Electric Shadows: Journeys In Image-making’. Based in Bombay he also loves to travel and take photographs. He is currently pursuing his Bachelor of Science in Information Technology from Mumbai University. An avid film buff, Sabari loves being part of film festivals and has provided technical support for film festivals such as Urban Lens Film Festival (2016) and the IAWRT Asian Women’s Film Festival (2017).
Kunal Deshpande is an alumnus of the Srishti School of Art Design and Technology, Bangalore. His diploma film, Daryache Raje (Kings of the Sea) was selected and screened at the 6th Kirloskar Vasundhara Environmental Film Festival.
TejInder, is an independent photographer and researcher. He is also senior urban fellow at Indian Institute for Human Settlements, Bangalore. He has had a range of work experiences from that of a trainee architect to managing electoral campaigns, participating in Model UN conferences, and documenting and archiving contemporary issues. He has photo documented Gaurav Gagoi’s campaign for Assam assembly elections, Occupy UGC movement, Swaraj Abhiyaan’s Jai Kisan Andolon, City Scripts – The IIHS Urban Writing Festival, 2017 IAWRT Asian Women’s Film Festival, Jio MAMI Mumbai Film Festival Word to Screen Bootcamp and many more conferences and events across India. His work on Ennore Creek Power Plant has been published by Scroll.in and Urbanisation – a SAGE journal.